This would make the job of the calendar itself much easier but, how useful is it? Maybe it doesn’t matter these days with most people having mobile phones. I do think this is the style I could work with to create an ASCII art calendar for each month. It’s an idea I’ve had on the back burner for awhile. Source: Calendar 2012 on Behance
Quoted from my answer on Quora:
I open Notepad (on a Windows PC) and start working on an idea. It’s like a puzzle to fit the characters together in a way that creates an image.
Some inspiration comes from searching for images or those I find. I look for clean lines so it will be easier to adjust when I need to figure out the spaces, characters, slopes for lines, and so on.
The font you work with makes a difference. Notepad uses FixedSys (or one of the newer offshoots). I seldom like how ASCII art looks when it is shown in another font. Courier and others use a thinner line which makes the ASCII art seem washed out. Plus, even though they are monospaced, the lines in columns don’t match up exactly the same.
I know some people would make a pattern or sketch and tape it to their monitor. So the ASCII art would be like filling in the lines (connecting the dots). I’ve never done that. Most often I have a general idea and add some characters, sit back a bit and see how things are shaping up as I go along.
Don’t delete a bunch of stuff and start over too often. Sometimes just adding a bit of detail will pull the whole image together. Circles and curves are one of the hardest things to work with, especially if you make a smaller ASCII art image. Close lines, like trying to make fingers for a hand, are pretty much impossible unless you make a bigger image or settle for a hand with just three fingers. I avoid hands and just have people holding things. This works well cause it adds more details to the image and explains what it was meant to be.
I don’t use any alt characters. ASCII isn’t about anything but the standard keyboard characters. You can do a lot with lines and dashes but I find a way to use numbers and letters too. It seems a bit bare without them.
I’d forgotten when people made text art with AOL and called it ASCII macro art. It did not use a fixed width font so it wasn’t true ASCII art and each time you reposted it the font would cause your image to change (unless it was in an image file like this).
I’m a hobbyist at best when it comes to coding anything. But, I hope this post finds it’s way to people who actually do know how to preserve this site and all the art upon it.
See ASCII Arena for just a look around to to help out if you can.
Note: I did have this saved in plain text so it would post the ASCII art. But, it seems there is always something, some detail, which changes somewhere and messes up the formatting. Even when I use the code formatting plugin. So I am posting this ‘as is’ rather than leave it sitting on my to-do list. The original source link follows and then the contents. The ASCII art is messed up. It seems the only reliable way to show it is to copy and paste it into an image file. I may do that at some point. But, for now this is an archive of the original because I thought the post was interesting and I wanted to preserve it.
Created Jan 12, 2001 | Updated Nov 19, 2002
Look at this ascii art picture:
,-. Henry Segerman
|,–. /\ |\ |/\,–. ,
/| | \/ | \ | /\ | |/
‘ `–‘\/| \| \/ `–‘|
uewJ363S hJu3H `-‘
‘Yeah’, you say, and apart from the odd cryptic bit at the bottom, maybe you just think it says ‘henry’ in ascii art. Well pick up your monitor, flip it over on its top, and look again (or you could flip yourself over on your top). That’s an ambigram. And so is the h2g2 logo (at least it is at time of writing).
Ambigrams seem to have been invented independently by a few people around the 1970s. Their first public appearance was in Scott Kim ‘Inversions’ (1981), followed by a walk-on part in Douglas Hofstadter’s ‘Metamagical Themas’ (1985).
So how do you do them? Well the above is a rotational symmetry one, though you can also do them with various kinds of mirror symmetry, and even translational symmetry sometimes. This entry will concentrate on the rotational symmetry type.
The simplest way to do them, is to try to write the nth letter in such a way that the other way up, it looks like the nth letter from the end of the word. So in ‘henry’ above, the ‘h’ is written to look like a ‘y’ upside down. Many letter pairs work well here. For example, d-p, m-w, n-u, b-q, h-y and a-e. Note there are two ways in which ‘a’ is written: ‘a’ and ‘a’. You want the one that looks like an ‘e’ upside down. If the two ‘a’s are not appreciably different, then you don’t have the font ‘Lucidia Sans’ on your computer – the other way to write an ‘a’ is handwriting style – see the example below.
These letters work well with themselves: I, N, o, s, x, z.
You can also make most letters look like themselves upside down, with a little tweaking. For example:
_ _ \
/ \/ \ |
/ / _|_
…are ‘a’ and ‘t’. But then you could see that anyway.
Sometimes matching single letters together doesn’t work. No matter what you do, a ‘m’ isn’t going
to look much like a ‘l’ the other way up. Well have one large letter be more than one smaller letter
/\ o |
\/ /\/|/| | | | /\/
/\/ | | | |/|/\/ /\
| o \/
Hopefully you can see that is ’emily’. Here the ‘m’ is being the ‘i’, the ‘l’ and half of the ‘y’.
As well as the ‘a’ and ‘a’ options, a few other letters
can be written in more than one basic style, e.g. ‘s’ (normal) and ‘s’ (script handwriting style, again apologies if your computer doesn’t have the font ‘Lucidia Handwriting’), and
many other variations on serifs and other twiddly bits/handwriting style effects can be useful in matching letters.
Capitals give you more options too – though it does look a lot better if the capitalisation is correct for the word. For recognisability, the
first and last letters are the most important to try to get looking right.
Sometimes there’s a really horrible problem with an ambigram which isn’t working. For example, it’s pretty hard to get an ‘O’ to look like anything other than
an ‘O’ upside down. Or double letters. Your brain automatically accepts a surprisingly varied selection of ways of writing a letter, but if you’ve got the
same letter right next door in a different style, it doesn’t like it. There are sometimes ways round double letters – use both of them in constructing some
large letter the other way up:
_ _ |_ |_
/\ /\ / \/ \ | |
| | | / / | | |
_| _| \_/\_/ \/ \/
… or just be lucky and find you can do them the same style. Some words just don’t work at all –
then sometimes you’ll try it again months later and it all ‘clicks’ and people won’t realise its an
ambigram, at least until you turn it upside down.
That’s about it for basics.
Beyond here, mess about with words with pencil and paper, have a look at other people’s ambigrams
always be on the lookout for any fancy ways to write letters.
,-. / \ ,-. ,-. ,-.
/__|_ / | | /
/ | \ / \_|__ /
/ | | / | /
`-‘ `-‘ `-‘ \_/ ‘-‘
This was originally posted on HubPages. I moved it when it was shuffled off into the sidelines.
I’ve wanted to make my own ASCII art lighthouse for ages. But, there were other things on my list which got done first. Today I decided to settle in and work on the lighthouse. I think it turned out quite well.
Lighthouses are legendary as lonely outposts. I know there are people who collect lighthouses in paintings, sculptures and other forms of illustration/ art. I always wonder if these people are as lonely as all their lighthouses make them seem. I hope not.
Of course, anything lonely is also isolated in one way or another. I prefer art with lighthouses which have houses attached or nearby. I really like the addition of boats, ships, birds, everything and anything likely to be around a lighthouse. it makes the lighthouse look less lonely.
The real purpose of a lighthouse is to be strong, not isolated. They mark the dangerous areas on the water so ships will avoid them. The lighthouse braves the elements every season for years and stands high and tall, showing the dangers and keeping people safe.